80s, refers to a time when people danced without worrying about labels, to music of inclusive virtues such as disco, the decade preceding the fall of the Berlin Wall and the “Special Period” in Cuba. Illustrating the influence of percussion on his way of playing, Fonseca alternates piano and Hammond in order to develop his story: “I generally compose by telling a story, like a movie. There I imagine that a comparsa, a carnival group, arrives in front of my place while I’m working on my piano. I continue to play, I join the party, the drums continue on their journey and I get back to my exercises, therefore this classic coda!”